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Korean Revolutionary Opera The Flower Girl World Tour Beijing Stop

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30 years have passed since the premiere of the revolutionary opera "The Flower Girl" adapted from the immortal classic "The Flower Girl." It has been staged more than 1,300 times before workers, peasants, youth and students and working people from all other walks of life and foreigners and overseas compatriots and millions of people have enjoyed it.

As it teaches the truth that the exploited and oppressed should turn out on the road of struggle and revolution in order to carve out their destiny, the revolutionary opera has gripped the hearts of the people for its ever-increasing attraction and vitality.

The opera is based on the profound seed theory that a flower girl selling flowers out of sorrow and filial piety eventually comes out in a struggle and revolution. it raises a serious socio-political issue that any devotion and sympathy can't save the destiny of the poor including the family of Kottbun in a society where exploitation and oppression prevail.
Watching the opera, the audience grasps the truth that the people of a stateless nation and deprived of sovereignty are more dead than alive and only when they set out on the road of revolution to fight can they defend the sovereignty of the nation and enjoy a genuine life as an independent people.

The opera was staged in many countries including China, Japan, France, Italy and Algeria nearly 170 times, evoking a lively response among foreigners.

With its ellipsoidal shell, the National Grand Theater, also named as National Centre for the Performing Arts, is the top class theater in China, which was designed to present Chinese audiences with world-class artistic performances, from large-scale operas and plays to musicals and concerts. The complex encompasses is divided into a 2,416-seat opera house, a 2,017-seat concert hall, and a 1,040-seat lyric theatre.
Take subway Line 1 stop at Tian'anmen Xi stop or take bus at 1, 4, 37, 802, 728.
With 1,000 cars parking seats and 1,500 bicycles seats.
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